Showing posts with label Architecture. Show all posts
Showing posts with label Architecture. Show all posts

Wednesday, April 22, 2015

Diversity in Swedish architectural firms

The topic for the first breakfast seminar organized by the Swedish Association of Architects (Sveriges Arkitekter) this morning was 'diversity in Swedish architectural firms'.

The meeting was opened by Karin Hammarskiöld clarifying that the theme of the meeting was too broad to be covered in a single session. The following discussions should, therefore, be considered as the corporational points of view of the participant firms, BAU (Peter Bäckström and Ewa Bialecka) and
Dinelljohansson (Kalle Dinell och Morten Johansson). BAU architectural office have almost constantly had around one forth of their employees from other nationalities since their starting days in 1991, and could thus be regarded as a fairly successful architectural firm in maintaining diversity.
Despite all difficulties with finding a job as an architect, stability of the Swedish economy has turned this country into one of the best working environments for architects around the world with regard to salaries and unemployment rates. Swedish architectural offices are constantly approached by foreign architects residing in or outside Sweden. The employers would often prefer to meet the applicants in person before making a final decision.

The central theme of the discussion was the dilemma of the scarcity of skilled workpeople on the one side, and the difficulty of foreign architects for finding a job in Sweden on the other side. Architects who have been educated in other countries could potentially enrich Swedish architectural firms by contributing their knowledge from other cultural and technological backgrounds. This could be of special interest for Swedish architectural firms considering the fact that they often undertake projects that span over various stages through the entire life cycle of buildings i.e. from design, through construction and to operations. Moreover, globalization has forced corporations to seek more customers overseas and foreign employees can potentially serve as useful links for this purpose.

Speakers did not fully agree on how problematic lack of knowledge in the Swedish language would be for foreign architects. The representatives for Dinelljohansson believed that a modest knowledge of Swedish would be sufficient for employees to do their daily professional tasks as long as the relationships among co-workers are non-complicated and processes are straightforward. In their opinion, proficiency in nuances and expressions would only be required for manipulation purposes.

Peter Bäckström, however, contended that there are situations were the employees need to be capable of detecting manipulative deeds perpetrated by other actors in the market as well as manipulating others themselves when required. Such conditions are more common to smaller firms where almost all employees need to, in parallel to their internal tasks, be in contact with other firms and actors as well as customers. Surprisingly, none of the participants on the panel believed that smaller architectural firms in Sweden were, in principle, less multi-national.

The speakers insisted that the need for language proficiency is different in different working environments. Project managers working on-site, for example, are much more in need of improving their communication capabilities partly through mastering the intricacies of the language; while design positions within design teams could be less demanding in this regard as long as the internal language of the office is English. All in all, the participants postulated that the importance of language proficiency for foreign architects in Sweden is often overrated. Proficiency in working with design software such as Revit and ArchiCAD and expertise in technical aspects of design and construction (respectively known as digital and technical literacy) could, in many situations, be of a substantially higher value for the employers. Knowledge of the Swedish regulations is also demanded, but such type of knowledge is often not that difficult to acquire.

Thursday, November 6, 2014

Project Development and Architectural Concepts

Construction education needs to respond to the increasing need for transdisciplinary collaboration in the AECO industry. To realize this, a wide range of new programs and courses have recently been developed at schools of building and construction as well as architectural schools throughout the world. Project Development and Architectural Concepts is one of the courses provided by the 'Division of Project Communication' as an elective component of the first year of the master program 'Real Estate and Construction Management' for this purpose.

This morning, I conducted an introductory session for the students enrolled in the course where the most fundamental concepts, the upcoming lectures and activities, course assessment criteria and other practicalities were briefly communicated. As the very first practical step towards a closer collaboration with architects, we - as the prospective project managers - met professor Jonas Runberger at the School of Architecture of KTH in the afternoon session. The concise yet overarching and inspiring lecture by Jonas on historical and contemporary practices of architectural concept development and design profession was followed by a tour around the school and a visit to the library. Below, you can see some shots from our visit to studios, workshops, the Digital Fabrication Lab and other education facilities of the School of Architecture:


Sunday, October 12, 2014

The Venice Biennale of Architecture


A work collaboratively created by architectural schools around the world exhibited at the Venice Architecture Biennale. It was estimated to have taken 40,000 hours to complete (source).
Spatial arrangements and architectural design can not be ignored in any large-scale event. Yet, it took the Venice Biennale around a century after its initiation in 1893 to devote an independent section to architectural works. This happened when the Biennale was - for the first time - set up by an architect, Paolo Portoghesi.


Since then, there has been a great deal of discussion around the purpose and directions of Venice Biennale of Architecture. The architectural historian and critic and one of the contributors to the architectural exhibition of the latest Biennal, Léa-Catherine Szacka, brought up this topic last Thursday at the School of Architecture of KTH.

The central theme of the lecture was the role of architectural exhibitions. It is still not clear neither to the organizers nor to the attendants if such venues primarily target architects or public as their audience, if they are supposed to embrace and communicate representations of existing architecture or envision and inspire future works in metaphorical and abstract forms, or whether they are just simply a place for meeting and networking with great names in the career as special guests. Even those who seem to agree on representation of architectural works as the main function of architectural exhibitions, have divided opinions on whether it is the final product that should be exhibited or the process of conceptalization, development and realization of architectural works.

Since its inception in 1980, the Venice Biennale of Architecture has had its all sorts of twists and turns. In 2006, for instance, the exhibition directed by Richard Burdett turned its back to all the elaborate, the spectacular and the glorious and sharpened its focus on cities and experimental aspects of urban design.

This year's directors, Rem Koolhaas and The Office for Metropolitan Architecture (OMA) decided to dedicate the entire exhibition to collaborative research on architecture. Also, an effort was made to redefine the relation between the serving and served spaces by mixing the two together. Restaurants, performance halls and dance floors were integrated with galleries and pavilions and a broader variety of artistic works was provided to bring people from different social classes together.

All other events at the Venice Biennale are fairly clear about their mission for accommodating works of contemporary art. The encompassing structures and pavilions also vividly feature articulated designs themselves and strive to communicate own messages to visitors. While the identity of the works exhibited at the event for architecture is still alternating original installations conceived and realized independently and second-hand narratives of reputed architectural works.

Tuesday, January 29, 2013

Stockholm's new residential buildings

The real estate company, Wallenstams will build two residential buildings in Sundbyberg (a municipal division in Sweden which is nowadays fully swallowed in Stockholm). Houses are designed by Vera architectural firm and will be built by DMJ construction company. The two 16 storey buildings totally accommodate 180 apartments including 60 one-bedroom, 60 two-bedroom and 60 four-bedroom apartments as well as commercial spaces at ground floor. The sculptural volume of the buildings with its light concrete and sandblast aluminum façade is envisioned to create a lively and spectacular shadow play. Selling begins summer 2014 and residents will move in half a year later.

It is now being more promoted and advocated that the IPD approach (Integrated Project Delivery) shouldn't cease at the end of the construction phase. The term "Project", in this sense, also applies to commissioning and operation of the building calling for a more prominent role for the owner. All around the world, more and more real estate companies are actively participating in the building process since right in the beginning. Swedish real estate firms are no exception, rather are fairly active and progressive.

Source:
http://www.fastighetochbostadsratt.com/Projekt/45232-Byggstart-for-180-bostadsratter-i-Sundbyberg.html

Sunday, December 16, 2012

Architectural Concept

Architects are mainly interested in form, engineers much more in technology and economy, and both groups are largely apt to fall into overpositioning in their assumptions. Construction managers, on the other hand, are more pragmatic and indulge themselves in communicating and planning their relationships. Architects often strongly deny that they follow some specific style, rather allege that they tend to adhere to a set of "guiding principles". 

These were conclusions of one of the students groups participating in the course "Architectural Concept" (AI2802). As part of the final session for project presentations, a number of construction projects were introduced mainly with regard to the relation among the designer and the construction manager. One of prominent examples was Aula: the 7-storey landmark at Karolinska Institute in Solna. The well-coordinated collaboration among the client (Akademiska Hus), the design firm (Wingårdh Arkitektkontor) and the contractor (NCC) has made it possible to bring the complex curvy mass of the building and its intricate glasswork detailings into reality. The students' conclusion was that the well-established and seamless oral communication among the two teams helped developing the trust required for underpinning a fruitful collaboration.


A number of mixed rental apartments and condominiums together with a number of public projects were also introduced with Rosenbergs and Vera consulting firms as the designer and Wallenstam as the contractor. All of these projects are located in Norra Djurgårdsstaden, the new sustainable district of Stockholm. Higher energy saving, better environmental performance, efficient rain water management and higher green building scores are some common goals in Norra Djurgårdsstaden; while economic hurdles of green roofs, structural difficulties with wide cantilevers of continuous balconies and conflicts with the Royal National City Park (Kungliga nationalstadsparken) on land exploitation are the main challenges.

The last presented project was The New Karolinska Complex (Nya Karolinska Solna - NKS) which I had briefly introduced in one of my previous posts: a mixed research, education and healthcare center located at the conjunction of and joining together the two municipal divisions of Solna and Stockholm. NKS will be the third but the foremost component of the planned lifecycle cluster encompassing Stockholm University (SU), The Royal Institute of Technology (KTH) and NKS. The major design firms - White and Tengboom - have aimed to provide equipped rooms, a combination of modern and light and brick-like materials, a handful of artworks and interior intricacies as well as uninterrupted machine pathways all around the building. These are devised respectively for a commendable integration with the existing urban context, a warm and hospitable atmosphere for patients and their visitors and robot-aided transportation of clothes and instruments. The major criticism against the design is though the lower number of beds maintained compared with existing facilities.

Initiatives such as the course "Architectural Concept" are valuable steps towards a more collaborative approach to education of building construction and design. The course was being held at the KTH School of Architecture aiming for exposing the construction managers of tomorrow to the atmosphere, mindsets and working contexts of design professionals of the future. The career is heavily dependent on an array of digital tools that over increasingly demand for more trans-disciplinary collaboration and converging workflows.

Sources:
http://www.ncc.se/sv/Byggnader/Offentliga-byggnader/aula-karolinska-institutet-solna/
http://stockholmprojekt.blogspot.se/2012/02/norra-djurgardsstaden-norra-2.html
http://www.nationalstadsparken.se/default.aspx?id=1777
http://www.nyakarolinskasolna.se/

Thursday, November 24, 2011

Karlsson & Co. I

It has now been a while that I have been feeling like I should write a couple of paragraghs about SIGRAD conference on computer graphics and visualization and some more on what I have recently been into in Länsstyrelsen Gävleborg (Gävleborg County Administration). At this moment, however, I feel a stronger urge to report on what is happening in Karlsson and Co. restaurant (Stockholm, Kungsgatan). Below you can see how the place looks like at this time when the owners and I keep on discussing placement of lights, speakers, smoke dispensers, etc. using interactive and collaborative media. Here you can see a re-organization plan over the entrance level followed by a number of shots:


VIP section with a separate entrance will be here.

Here is the view through where is going to be the main dance floor. The upper left side of the photo is where the central scene will be established.

This photo depicts the location of the dance floor in the pub  located in the basement.

the scene in the pub will be attached to the wall illuminated by the light.

and finally, where the bar for the pub will be placed quite close to a lounge .
I will keep an eye on the project and hopefully come up with updates. SIGRAD and LST are also on the agenda for further blog posts.

Tuesday, August 2, 2011

Beauty out of Beast



Current KTH School of Architecture
No one is cheered up by an abrupt fire on a stately edifice in a reputed neighbourhood of the city. Burning of KTH School of Architecture in Stockholm, however, triggered ambivalent feelings for many who had longly suffered this arrogant, obstructive and gloomy mass of concrete boasting right in the middle of delicate harmonic urban environment of Östermalm and in the vicinity of the elaborate structure of Engelbrek Church.

After the fire
The catastrophe paved the way for realizing the 10-year dream of integrating the two isolated bodies of KTH through establishment of an accumulative building accommodating both the entrance to the campus and architectural school. It is planned to be located where the three streets of Osquarsbacke, Lindstedtsvägen and Drottning Kristinas vägen meet. Currently, Info Center and administrative units are located there.

The new KTH School of Architecture designed by Tham & Videgård will be a round building with a glassy-steel facade. As part of the project, the building located south of KTH library will be ruined and greenery and artworks in the surroundings will be transferred to other places around the campus. The new school of architecture is expected to be ready to use for spring semester 2014 and will also serve as a meeting place with a number of mini galleries.

New design
Sources:

Friday, July 22, 2011

The contemporary kitchen

This will not be a comprehensive manual for kitchen design for sure but at least a glimpse of basics of contemporary kitchen design when functionality is prioritized over low costs and aesthetics:
  • A sufficiently big sink is a must for comfortably hand-washing the dishes and washing large-sized utensils such as barbecue grill. A small sink with a garbage grinder to avoid a smelly storage of organic wastes is an appropriate complement. Adjustable shower mixer taps and pull-down/pull-out faucets are both convenient and spectacular. Use of a glass surface as splasher reduces cleaning time. 
  • A large draining board is a plus. It can always be also used as ordinary countertop. 
  • It is better to have plate racks and detergent hanging over the draining board rather than being located on them so that it becomes easier to keep the board clean and tidy. 
  • Dish-washer should be placed at convenient working height and close to the draining board. 
  • The best material for the countertop is laminate since it is durable and resistant to harm and moisture, is easy to replace and does not require much maintenance over time. 
  • Stove should not be better placed into the cooking island so as to minimize spread of splashes and limit children's access. A metal edge for the stove top adds to its durability. 
  • Non-open kitchens are more convenient in the sense that a door can well obstruct the noise of food processors. Nonetheless, open kitchens with wide islands are much trendier and even more functional these days considering simultaneous use of kitchen and living rooms as cooking and dining area. Cooking island can be even elevated on wheels to provide more flexibility in re-arrangement of interior space. 
  • Upper cabinets should be better extended up to the ceiling to avoid accumulation of dust and dirt and also to provide extra storage space. 
  • Unruffled wall surfaces are easier to clean and change when remodeling the kitchen compared with small-sized tiles. 
  • Linoleum is resistant to moisture, dirt and fat and is thus a suitable choice for the floor. 
  • An ample number of power outlets helps much.

Wednesday, January 26, 2011

Villa Leipzig


Everything started with a simple three-dimensional model of the house we are living in to be located on Google Earth as a tribute to this lovely four-storied stately house. In fact, our landlord had previously lectured with a preacher's passion on the reputation of the edifice as one of the oldest buildings in the area. Nevertheless, it was just recently that I discovered that our house - which I had superficially called Örby House before - actually has a cordial historic name: Villa Leipzig!

Stockholm's Yellow Pages, 1922
According to Stockholm's Yellow Pages archive (above), the mansion dates back to latest 1922 and there was - among all - a bakery located in the house. Based on available photos, there has been a two-storied building called Villa Jennylund in the same location in 1910. This was consecutively replaced by current Leipzig House one decade later. It can be concluded that Villa Leipzig is at least 90 years old and has been almost in the same shape from the beginning.

Villa Jennylund, 1910
In 1945, there was a coffee and tobacco shop in the building which are now replaced by a residence and an office. Villa Leipzig undoubtedly deserved a 3d model on Google Earth! New features in Sketchup 8. have largely facilitated construction of new models by incorporating more accurate pictures from Google Map's Street View. Previously, Building Maker online application had been introduced by Google to construct digital models using enhanced oblique photos of the buildings from four different directions.

Villa Leipzig, 1945
Sources:
http://sv.wikipedia.org/wiki/%C3%96rby,_Stockholms_kommun
http://www.stockholmskallan.se/php/fupload/SMF/SD/SSMB_0023983_1922_12.pdf
http://www.hjle.se/

Friday, January 21, 2011

Life on a leaf

There is a bridge over the entrance to the master bedroom and a heart-shaped window over the bed. Allover the floors, walls and ceilings is covered with sharp colors and lively patterns. Plan of the house located in Åbo in Finland resembles a leaf which was owner's desire from the beginning.

Jan-Erik Andersson who lives in the house with his wife and ten-year-old daughter asked a number of his artist friends to create some works of art around the house and denied to be consulted about what they were going to create. "It was important to bring in ideas to the house that I myself had nothing to do with; since otherwise it would have been like living inside my own brain which is not healthy at all!" he clarifies.

The interesting part of the story is the numerous warnings he had received from prominent Finnish architects while determinedly trying to realize his dreamy house with help of architect Erkki Pitkäranta. They believed that the family of Andersson will soon get bored by striking colors and playful shapes established right in the middle of their daily life and not for example in a play ground or Disney Land. Their opinion however did not come true; at least after one and half year!


If you ask me, I go with Finish architects: "This is a terrible place to live in"! The point is that tastes are vastly different and the client has the right as long as the place is not within the public realm. Still the exterior look should not contradict neighbourhoods ín a way that it could be considered a visual threat to its surrounding.
On 28 Sep. 2011, I got this message in my mailbox:
Hello Pouriya Parsanezhad!
I would LOVE to comment your blog article about "Life on a Leaf" -house. But the comment form does not work.
So anyway, this is the comment:
I haven't seen you living here ;), so maybe you can not say that "THIS IS A TERRIBLE PLACE TO LIVE IN!" This is NOT terrible place to live in. This is my home. And belief it or not I am (now you can laugh) a minimalist.You are more than welcome to see and experience the real house!
The Wife (still alive)
To which I replied:
Dear Marjo,
Sorry for late reply,and so sorry for having written that sentence even though I had tired to moderate it with the following sentence: "The point is that tastes are vastly different and the client has the right as long as the place is not within the public realm.", still I was partly influenced by DN's article when I was writing that post, I should confess. The thing is that when one reads something in a newspaper, it is considered merely as a written document and one easily becomes ignorant about the fact that behind those words, there are in fact some people with their passions, emotions and lives specifically when talking about a house.
I have vividly gone too far by speaking out in such a deterministic way. This is in fact YOU and your family who are the most legitimate persons to judge how it feels to live in your dreamy house not me, DN's editorial or architectural critiques. Nevertheless, you do not need to bother yourself much since my blog does not have so many readers as far as I know:) ... 
But a 'minimalist' loving such a style for living place still sounds confusing to me I should confess!
Kind regards,- Pouriya Parsa
Lovely Marjo finally left me speechless by replying back as follows:
Dear Pouriya Parsa!
Take it easy, don't be SO sorry ;)! I understand that you need to have some edge when you write something.
We have been hearing criticism so much that it does not bother anymore. And without that there was no reason to do the house. We have also seen so many different people that like about the project that it feels that we made something interesting.
Anyway, if you have some time, look at the house's websites, in spite of that you (and meny other :) don't like the house, the process have been more than interesting.
I use to hate the idea of the house, but the process made me see things in a different way.http://www.anderssonart.com/leaf/index.html
And look all the artist's who have been doing art in the house:http://www.anderssonart.com/leaf/artists/index.html
If you like you can use pictures from the websites and you don't have to be politically correct ;).
best,Marjo
ps: I am sorry to say to you that my partner has also done some works to the public realm. ;) www.rosegarden.fi
Such an amateur blogger that I am, I feel more than indulged to see a single post of mine receiving so much attention!